When you think of an artist like Da Vinci, who do you imagine?
I picture someone alienated from society, obscurely exploring his own eccentric ideas, not caring what anyone thinks. He falls blindly into the depths of his creativity, and when he finds the bottom he digs further down that bleak, colorful hole.
That is artistic success, and it's painstakingly difficult to achieve.
Do you really want to be some obscure, starving artist? I doubt it. To prevent "starving artist" syndrome, you'll need to make your art commercially successful too. That may seem practically impossible without some record deal, but it's totally possible to become a working-class artist (that means you make your living from your art).
If you want to take marketing your music to another level, then I can't recommend enough John Oszajca's music marketing manifesto. My favorite aspect of his complete program was his stance on email marketing, where he really leverages the that "1000 true fans" philosophy.
His website is a bit hokey (flaming guitars? Seriously?), but the major label experience he delivers is an asset for any artist.
The idea's & art you input (into your mind).
Your creative output.
Get people to listen to your music.
It's only logical that you need a good input (philosophy) if you want a good output (music), and once you have that output, you are going to want everyone to know about that output (marketing). That's what this entire site is about.
Do you want to learn how to make creativity second nature, so that when you go to write music, it just flows out of you?
You can start by feeding your subconscious the right:
...so that your subconscious can pay you back in a really big way. Developing the philosophical/reflective part of your brain has this effect on people.
How do you put this into action? Start by reading the core guide of musicians philosophy below:
Chapter 1: ArtistsWhy you should have a music library of artists that inspire you
How to find new music
TheRealMusician top artist picks (bands we love!)
How to let your favourite bands influence the way your music sounds
How to discern the value of an artist
Chapter 2: Song InterpretationsHow to interpret lyrics (do this before you write)
WHY interpret lyrics?
Chapter 3: Visual ArtThe visual art aspect of your music
How to look for an artist/designer for your music
How to use visual art as inspiration for lyrics or music
Chapter 4: ConcertsLive performance reviews
Chapter 5: CreativityBeing creative - unlocking your inner artist
Chapter 6: DestructionBeing destructive - the editor
Chapter 7: Dealing With FeedbackDealing with feedback from critics about your music
You have really different musical tastes than your friends and family; what do you do now?
Beyond this guide, check out the other philosophy articles we have.
In order to be somewhat successful in music, you will need to develop your technical musical skill.
That may mean becoming great at an instrument, learning how to create amazing compositions on the computer, or developing your vocal talent.
This mainly covers the technical side of your creativity. If you have lots of creativity, and good ideas, but you suck at the guitar (or whatever instrument you play) it is likely that you won’t be able to translate your creativity into music very well.
So you need to be good at your instrument.
I won’t be the guy who says that all you need to do is “practice” your instrument a whole lot to be a successful musician.
Yes, technical practice is healthy and good for your talent, but don’t make it into a chore, and don’t think you have to do it every single day that you live in order to be successful.
If you plan on being the world’s most technically proficient guitarist, it might be necessary to practice for 8 hours every day, but that is not going to be the focus on this site as I am more supportive of developing your creativity rather than your technical skill.
I will have times where I don’t practice guitar (my main instrument) for weeks, and will just decide to play drums for a while.
If you are going through a practicing phase, then practice often. If the idea of practice seems really bland to you, then I suggest you don’t force yourself into it. Although I'm not encouraging you to be undisciplined either.
The point here is that you should love and enjoy the music you play; if you decide to practice yourself to death you will eventually come to loathe music (many musicians get burnt out this way).
So on this site I will go into different methods for you to get the most out of your instrument, and how to keep yourself from getting burnt out (I want you to enjoy your practice time as much as possible).
I’ll also share some music equipment that works well. Of course, I will only make reviews on equipment I personally use, so the list of reviews I have on here will not be a mile long.
I’ll simply share what I find to be useful and what works in a music environment (and what doesn't work).
There is a common misconception that you only need to be able to play an instrument well in order to build your music careers. But as I have previously stated, that is only 1/3 of the picture here; it's no wonder that many musicians struggle to succeed in today’s musical world.
No one reading this site will have the marketing power of the Biebers and Timberlakes of the world, but that doesn't mean you need to fade into obscurity. Marketing is an area where many creative geniuses fall short, so learning how to get the word out about your art is a vital part to "making it".
Independent artists making a working-wage is absolutely do-able - why don't you join in. Like no other time in history, you can write, record, and market your music without the power of a big label.
It can be easy (and lazy) to get into the school of thought: "I'll just make music until a label picks it up - THEN I'll make it"; don't be led astray by the misconception that you need a record deal to make a name for yourself - that's the old way of thinking.
You CAN do your own marketing. There are a ridiculous amount of marketing opportunities on the internet alone:
There are even some advantages of doing it for yourself (not having to share profits is a big one).
If you can get your foot in the door and a label is interested in you, by all means I would recommend leveraging their marketing resources, just make sure an experience lawyer negotiates your contract so you don't end up with a pile of debt after they're done with you.
Even with the possibility of being sign, most of us don’t enjoy placing bets on our future - especially on something that has lower odds than winning the lottery; random artistic talent is rarely signed to a powerful label.
Instead of placing bets, let's do everything that we can for ourselves, and that way even if you don't get signed, you'll still be making a living from your music.Music marketing basics (for dummies)
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I'm Andrew Muller, and I wrote near this whole flippin' website. As you can see in my picture, I'm an intense fellow.
If you had to find me somewhere, you would probably find me down at O'neils home cooking eating an organic sweet-potato bun breakfast sandwich with ham. Pretentious much?
I play drums, guitar, piano, and I write & perform music for my semi-electronic & vocals act My Goal Is Telepathy. Take a listen to the latest sound here.